03.26.09

More Books to Film

Posted in Books and Film tagged , , , , , , , , , , , , , , , at 1:37 pm by ndichario

ashesWong Kar Wai is one of Hong Kong’s foremost New Wave filmmakers. The Dryden Theatre at the George Eastman House recently screened Ashes of Time Redux, the 2008 version, which is basically Wai’s remake of his own 1994 film. Wai took full advantage of technology advances and completely re-edited the movie, making it a colorful and visually stunning cinematic experience. The film is based somewhat loosely on Louis Cha’s martial arts novel The Eagle-Shooting Heroes. It is very much an art film versus the martial arts extravaganza it was advertised as, and this might explain why it didn’t do very well at the box office, but it’s well worth seeing if you get a chance. The music is incredible, featuring several Yo Yo Ma cello solos, which more than make up for the confusing narrative and fragmented storytelling. Recommended.

The film Choke is an odd little picture about sex addicts just trying to get by. If it sounds weird, well, it is. The movie is based on Chuck Palahniuk’s novel of the same name, about a sex addict who works at a colonial theme park and is going to a support group to try and break his addiction. But his mother is dying and he is falling in love with his mother’s doctor, and his best pal (another sex addict) is falling in love with some girl, a stripper, fer chrissakes. The movie doesn’t really know exactly what it wants to be: a farce, a dark comedy, a pseudo drama, or maybe a freako romance. Take your pick. If you can get past the bumpy ride, and you like strange and the occasional uncomfortable laugh, you might enjoy this one. Mildly recommended.

It’s easy to see why Bernhard Schlink’s novel The Reader made such a fine film. Beyond excellent performances by Kate Winslet as Hanna (former SS concentration camp guard) and Ralph Fiennes as Michael, this is a story that speaks of guilt, secrets, illiteracy, the Holocaust, the complications of love, and a young man’s coming of age. And it does so in as tightly knit a short novel as I’ve ever read. Even if the ending felt a little contrived and (forgive me) convenient, it’s an affecting story that makes you think — a big book in a little package — which makes it just about perfect for the movies. Read the novel; you’ll rip through it in no time. Then watch the film. It’s rare to see one complement the other so nicely. Highly recommended.

I think the 70 million people who read Watchmen all went out to see the film during its opening weekend, regardless of several lukewarm reviews. The incredibly high production quality of the film will knock you out. It’s a rich tapestry of brilliant special effects, visually stunning scenes, cool characters, and a grand story. It’s also very true to the original Alan Moore comic book (1986/1987), with a bit more violence for today’s modern audiences and a reworked ending minus the beloved squid. It’s a long film at about two and three-quarter hours, but a director’s cut that is even longer is planned. I went with a bunch of friends, and the odd pop-music selections got mixed reviews, and I’m honestly not sure if people unfamiliar with the comic will be taken with this film, but it’s certainly worth a try: Recommended.

Of further interest….

Chuck Palahniuk is best known for his novel Fight Club, which was also turned into a film (a much better one). Here’s a pretty good in-depth interview with him.

A great article in the Observer about Schlink, The Reader, and the guilt of a generation.

Some words with Zack Snyder, Director of Watchmen and 300.

Alan Moore

Alan Moore

03.11.09

Strange Days and Paranoid Meanderings

Posted in Books and Film tagged , , , , , , at 2:46 am by ndichario

For those of you who love oddball fiction as much as I do, you might enjoy these two novels I’ve recently read:

Rivka Galchen’s first novel, Atmospheric Disturbances, is not only a fine literary work, but reading it is a quietly and distinctly paranoid experience. In the very first scene, the main character, Leo, a 51 year-old psychiatrist, is certain that his wife Rema has been replaced with an exact replica, a simulacrum, and he spends the rest of the novel trying to figure out who has done this and why. Whether he ever gets any straight answers is open to interpretation. Is there really a secret society called the Royal Academy of Meteorology involved in a clandestine weather-control war against the devious 49? Is the brilliant but dead meteorologist Tzvi Gal-Chen really communicating with Leo through his Blackberry? And how does the dog fit in? Sound nuts? You make the call. The book delves into some interesting philosophical questions about life, death, and our relationship to reality. Galchen is also disturbingly funny at times and seems frighteningly tuned in (especially or a woman) to the squishy ground of male insecurities and relationship fears. As I was reading this book, I was equal parts unsettled, amused, and impressed. This novel will hang with you. Highly recommended.

Of further interest…

You Tube book trailer for Atmospheric Disturbances. Very cool. I wish someone had done something like this for my novels!

penguin_jpgIn Death and the Penguin we are introduced to Viktor Zolotaryov, a passably good writer who can’t get published. Viktor finds a job for a meager salary writing obits for the newspaper. Or maybe the job finds him. The twist is that he is writing obits of people who have not yet died. His boss is the kindly but mysterious chief editor, Igor. This quirky novel by Andrey Kurkov (translated from the Russian by George Bird) is set in the Ukraine, where secretive politics is the rule not the exception, and we slowly begin to realize that Igor and the newspaper and the job Viktor has taken are not as innocent as they first appeared. Things start to get strange and dangerous for Viktor when the the subjects of the obits begin turning up dead, and Viktor finds himself in the middle of an odd game of espionage and hide-and-seek. Is somone stalking him or not? Does someone want to kill him or protect him? And what is to be made of his boss’s cryptic comments? This book is not by any means a spy thriller or a suspense novel. The story is a slow-moving ship that seems to be on an inevitable course of destruction as soon as it leaves shore. Viktor is introspective and filled with angst about his writing and the meaning of life and death in the freezing Ukraine. His pet, the penguin Misha (adopted from the zoo and chronically depressed), is the only one Viktor seems in the least bit fond of, human connection being elusive throughout the novel. The book jacket claims the story is in the tradition of Mikhail Buglakov, but this is simply not true, at least in the literary sense. You won’t find any of Buglakov’s wild imagination or dangerous social satire here. But this book is stark, dry, cold, and clever, and for those of us who love to write and appreciate the writer’s struggle there is much for us here. Recommended.

Of further interest…

A terrific interview with Andrey Kurkov.

It took me only several months to write the novel. The problem is that half of my character, especially Viktor in Death and the Penguinand Tolya, they are typical post-Soviet young intelligentsia lads who were very infantile. I mean, they were semi-dissident in the Soviet time, but they inherited genetically all this Soviet passivity, lack of initiative and readiness to accept anything that comes. So, for me, he is quite typical, representative of this generation. But I should say that this generation has gone already, and the new young people are completely different; they’re very practical, they’re very pragmatic. In his case…in the Soviet time, people like this (including me) were spending hour and hours every day in the cafes just talking about philosophy, Hemingway, jazz and things like that.”

03.03.09

U.S. Authors Nipped at the Border

Posted in Books and Film, Publishing News tagged , , , , , , , , at 1:47 pm by ndichario

Much to my disappointment, my brilliant editor and good friend Rob Sawyer will no longer be able to publish American authors through his science fiction imprint Robert J. Sawyer Books (RJS). According to Rob, the Canada Council for the Arts has objected to him publishing U.S. authors “while the Canada Council helps to subsidize the costs.”

Rob has published four books by American contributors since he launced the line through Red Deer Press in 2004: Letters From the Flesh, Marcos Donnelly’s brilliant second novel; The Savage Humanists, an excellent anthology edited by Fiona Kelleghan; and my first two novels, A Small and Remarkable Life and Valley of Day-Glo. (As I write this, I believe ten books in all have appeared under the RJS imprint.)

This is an unfortunate development for those of us in the states who have watched good markets for original science fiction and fantasy dwindle over the years. Fitzhenry & Whiteside appeared to be an emerging market willing to take chances on new writers and original voices in the genre regardless of country of origin, although predominately Canadian. I met Sharon Fitzhenry and liked her quite a bit, and I thoroughly enjoyed working with Rob. I’m not sure my first two novels would have found a publisher if Rob hadn’t been willing to take a chance on them. The fact that Fitz is a book publisher (we’ve seen plenty of short-story markets disappear over the years, eh?) makes it even more disappointing to American scribblers. Rob has published approximately two books per year through RJS and will continue to publish Canadian authors.

Of further interest…

The full post on Rob’s blog.

An interview with Marcos Donnelly re: Letters From the Flesh.

Robert J. Sawyer Books website.

The Canada Council for the Arts home page.